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Director Robert Eggers has wanted to remake F.W. Murnau’s silent horror classic for decades, but his results show a lack of imagination and too much deference to the original.
Just when third installments begin to lag, the Sonic series has found a way to turbo-charge itself, doubling the Jim Carrey content and cutting him loose.
Aaron Taylor-Johnson tries his best in a supervillain offshoot that, like Sony’s “Madame Web,” may work better for comics fans looking for a campy hate-watch.
The real-life story of Dagmar Overbye, one of Denmark’s most notorious serial killers, is dramatized in this nightmarish tale of desperate women and infanticide.
Making his directorial debut, ‘SNL’ vet Kyle Mooney marshals a period-rich script (and the participation of Fred Durst) into a project for a targeted audience.
Reuniting Ralph Fiennes and Juliette Binoche, stars of “The English Patient,” this pared-down telling of a soldier’s return simmers, never quite reaching a boil.
Mounting a risqué novella by William Burroughs, filmmaker Luca Guadagnino finds an expressive way forward for the former James Bond, who finds a new register.
Original voice cast members Auliʻi Cravalho and Dwayne Johnson return, as does the first film’s laudable commitment to repping Polynesian culture and empowerment.
Director Ridley Scott returns to the site of one of his greatest triumphs with a belated sequel that follows the same beats, giving Denzel Washington a forum to scheme.
The first part of a planned two-film epic musical will delight obsessives of the Broadway show and is ably carried by co-stars Ariana Grande and Cynthia Erivo.
