Awards

‘Saturday Night’ editors Nathan Orloff and Shane Reid worked in tandem to find the manic energy of the fledgling show as deadline drew closer.

Vatican spots and rituals inspired the production design for ‘Conclave.’ But Suzie Davies and director Edward Berger didn’t get overly caught up in them.

‘The Seed of the Sacred Fig’ filmmaker Mohammad Rasoulof used footage from actual protests in Iran to create large portions of his feature film.

F.W. Murnau made his film based on the ‘Dracula’ story more than 100 years ago. Since then, the creature has reemerged from the coffin twice. Once from Werner Herzog, and now Robert Eggers has unleashed his own.

Willem Dafoe reflects on his past roles, from ‘The Last Temptation of Christ’ to ‘The Florida Project,’ enthusing about the wire work he did on ‘Spider-Man.’

In their latest films, Paul Schrader, Pedro Almodóvar, Azazel Jacobs and David Cronenberg keep death at the fore.

Willem Dafoe appeared in four movies this year, including ‘Nosferatu’ and ‘Saturday Night.’ He likes to stay busy.

‘The Room Next Door’ stars talk about director Pedro Almodóvar, dying and the need to keep living even in challenging times.

‘September 5’ showcases the ethical dilemmas ABC sportcasters faced while the horrific attacks on Israeli athletes unfolded at the 1972 Munich Summer Olympics.

The ambitious film follows László Toth (Adrien Brody) chasing his American Dream, only to be upended by a tycoon.

Only eight best picture winners in the past 50 years were directed by filmmakers from non-English-speaking countries. Will one of this year’s contenders join the club?

The director strives to make a perfect movie that stands the test of time. His holy grail, he calls it. And yet the quiet of the woods still calls to him.