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We asked Times staffers for the films they were most stoked for, sight unseen. Brace for a “Freakier Friday,” a new “Superman,” the return of Malick and more.
This stunner of a profile from Michael Gracey, the director of “The Greatest Showman,” might finally get Americans to tune into the British pop star’s hits.
Written and directed by Halina Reijn, this age-gap office romance tests if we’re mature enough for a thorny conversation about sex and power.
RaMell Ross landed an Oscar nomination with his first feature, and this soul-stirring drama, based on Colson Whitehead’s book, is poised to earn him his second.
This ‘Lion King’ prequel from ‘Moonlight’ director Barry Jenkins doesn’t have a ‘Hakuna Matata’ ear worm, but Lin-Manuel Miranda’s songs are pretty terrific.
Adrien Brody suffers and Guy Pearce seethes in this epic showdown between a passionate architect and his flaky patron, co-written and directed by Brady Corbet.
Nearly 45 years after ‘American Gigolo,’ filmmaker Paul Schrader and star Richard Gere reunite to explore the shady past of a cancer-stricken documentarian.
Peter Sarsgaard and John Magaro play obsessive journalists in a thriller that takes place wholly within the ABC News control room during the 1972 Munich Games.
Director Joshua Oppenheimer, previously a documentarian who has chronicled dark acts of self-delusion, shifts to a postapocalyptic musical with similar themes.
The best movies of 2024 include ‘Anora,’ ‘Smile 2,’ ‘A Real Pain,’ ‘The Seed of the Sacred Fig’ and ‘Dune: Part Two,’ according to our critic Amy Nicholson.
