Varied ‘Voices’ sound off
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It’s not all that easy to catch and hold a playgoer’s attention for
five or 10 minutes all by yourself, but a number of Orange Coast
College students are doing exactly that in the annual monologue
festival entitled “Solo Voices.”
And they’re doing it in a hurry -- the entire 11-scene program lasts no more than 70 minutes, including intermission.
“Solo Voices” might justifiably be subtitled “The Sean Engard
Show,” since this student participates -- either as writer, director
or actor -- in seven of the presentations, as well as functioning as
the recorded introductory voice before the first and second acts.
Engard is the author-director of the opening monologue, “Shelby’s
Christmas,” with Sabrina Ianacone offering a sweet little
reminiscence as someone who had never heard of Christmas -- and about
halfway through the piece you learn why. Ianacone is the ideal
innocent opening act for an evening that gets a little far out as we
go along.
Engard’s “I-9783,” which he co-directs with Erynne Miller,
features Jaime Ballesteros as a GI Joe-style artificial life form
trained as an assassin. Ballesteros manages to maintain his strong
monotone throughout the life of the segment, or the character.
“Stop Talkin’,” also written by Engard and directed by
Ballesteros, spotlights Martin Elias as an angry young man who can
commun- icate with animals -- and wishes he couldn’t. It’s a volatile
piece with some lofty highs and deep lows.
Mani Natarajan is both writer and director of “Happy Days,” which
opens with Adam Ferry singing the title song of the popular 1970s
sitcom. He then attempts to ascertain the justification behind
wishing everyone a happy day. Especially IRS workers.
“I Wanna Dance With Somebody” introduces the evening’s most
impressive talent, Lauren Kushin, who co-wrote this bit with Engard
and performs it under the direction of Linda Viramontes. Here, Kushin
portrays a young woman disappointed in love who runs through a number
of popular songs before rocking out to the title number in a segment
overflowing with pizazz.
In “The Judy Miller Show,” written by Marilyn Suzanne Miller and
directed by Jill Prout, Amy Abbascia takes over the stage as a young
girl confined to her room and kicking up a storm as she imagines
herself a hot showbiz star. Give her an A for energy.
“My First Date,” another Engard-written and directed segment,
spotlights Sean Coutu as a luckless lothario whose initial encounter
with the opposite sex is strewn with farce and folly. Coutu makes the
most of this one, stirring some pretty bizarre images.
The evening’s only real disappointment is “I R Champion” by Srini
Natarajan, who also directed. Laura Flores Palacios has the dubious
honor of trying to make sense out of the script and define a nebulous
character.
In Engard’s “Superhero in Training,” directed by Samantha Wellen,
Will Nicol relates his bumbling attempts, which culminate in a true
heroic deed that almost does him in, to achieve superhero status.
It’s an attractive bit, and Nicol projects it well.
The multi-talented Kushin returns for the evening’s funniest
segment, “My Angry Vagina” by Eve Ensler, part of her full-length
“Vagina Monologues.” Directed by Viramontes, it’s a rollicking
rendition of female complaints centering on society’s mistreatment of
a woman’s reproductive organ.
Finally, we meet Sean Engard in the flesh as he performs his “Ham
It Up,” under the direction of Wellen. Engard revels as a subpar
Hamlet being coached through a complete dismantling of the “To Be or
Not to Be” speech by his inner voice, audible to the audience, of
course.
The cast members, all part of OCC’s Repertory Theater Company,
give us something to laugh at, cringe at and think about on the way
home.
IF YOU GO
* WHAT: “Solo Voices”
* WHERE: Orange Coast College Drama Lab Studio
* WHEN: Closing performances tonight
and Saturday at 8 p.m.,
Sunday at 2:30
* COST: $7
* CALL: (714) 432-5880
* TOM TITUS reviews local theater for the Daily Pilot. His reviews
appear Fridays.
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