Intense, disturbing ‘Violence’
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David Cronenberg has directed several graphically violent films over
the years, including such horror staples as “Friday the 13th” and
“Scanners.”
Accordingly, it is somewhat expected when his new film, “A History
of Violence,” opens with two drifters in the midst of a savage murder
and robbery spree. When the story shifts to the bucolic town of
Millbrook, Ind., and features the all-American Stall family -- who
appear to have stepped out of a Norman Rockwell painting -- you just
know it’s too good to last.
Viggo Mortensen stars as Tom Stall, owner and operator of a small
diner and father of two. Tom seems to have it all, including Edie,
his beautiful wife (Maria Bello), with whom he shares a blissfully
happy and still passionate marriage.
Millbrook is a small town where the residents are like family. The
Stalls appear to enjoy a low-key and satisfying routine.
This pleasant tableau is destroyed forever when the two psychotic
drifters enter the diner at closing time.
Tom politely tells them the diner is closed, but the two criminals
pull guns and proceed to take the waitress and cook hostage.
Just when it becomes obvious the duo has no intent on leaving the
diner without killing everyone there, Tom springs into action. Like a
commando, Tom disarms one man and manages to kill both intruders.
Slightly injured in the melee, Tom emerges from the hospital a
local hero. Every television station features his heroics. Tom
refuses to give anything but curt answers to the reporters who dog
his every step, and he tries to resume a normal life.
Just when it seems he is succeeding, an ominous figure shows up at
the diner with two henchmen in tow. The man, Carl Fogarty (Ed
Harris), claims Tom is really someone else. Fogarty turns out to be
an organized crime figure, and he suspects Tom is really Joey Cusack,
a man from Philadelphia with a violent criminal past.
Tom denies this and claims it is a case of mistaken identity.
However, Fogarty is so convincing that even Tom’s wife starts to have
her doubts. The local sheriff suspects Tom might be in a federal
witness protection program.
Tom’s sudden notoriety also causes an increase in the bullying
Tom’s son Jack (Ashton Holmes) is subjected to at school. While Jack
has previously avoided physical confrontations, he now reacts by
lashing out violently.
“A History of Violence” is a disturbing film, and not simply
because of its graphic portrayal of violence. The film is rated R due
to “brutal violence, graphic sexuality, nudity, language and some
drug use.” However, it is the manner in which violence affects the
characters in the film that is most unsettling. Virtually no member
of the Stall family is unaffected by what has occurred, and each of
them later encounters or applies violence in their own situations.
The film is even more effective due to the foreboding atmosphere
created by Cronenberg and the excellent performances by the cast.
Mortensen gives perhaps the best performance of his career in a role
certainly more demanding than the “Lord of the Rings” trilogy.
Bello delivers a layered portrayal, as she must switch from
devoted wife to defender of her husband to someone who questions the
man she has known for more than 20 years. Holmes must also make a
significant transition as he turns from a passive, gentle youth to a
troubled and possibly violent young man.
The supporting roles are vitally important to the effectiveness of
the film, and two performances really stand out. Harris, always
excellent, plays Fogarty with blood-chilling malevolence that is
tempered with intelligence and cunning. Fogarty not only haunts Tom
Stall, he upsets the equilibrium of the entire family.
William Hurt has one of those brief but pivotal appearances that
often result in Oscar consideration. Hurt commands the screen the
entire time he is in the film and reminds everyone of what a fine
actor he can be.
“A History of Violence” is not a feel-good movie and is probably
too intense for anyone disturbed by this level of violence and some
cringe-inducing sex scenes. However, I can recommend the film to
those that enjoy an effective thriller with an interesting subtext
regarding the far-reaching effects of violence.
* VAN NOVACK, 50, is the director of institutional research at Cal
State Long Beach and lives in Huntington Beach with his wife
Elizabeth.
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