Down in the dumps with digiscoping
VIC LEIPZIG AND LOU MURRAY
Many people get dressed up, go to dinner or a party and drink
champagne to celebrate the start of a new year. Not us, at least not
this year. We went to the city dump in Brownsville, Texas, to
digiscope.
This deserves a bit of explanation. First, digiscoping is the
hottest thing in bird photography. It involves connecting a digital
camera to a spotting telescope using an adaptor ring. This allows
really close-up photography. The equipment isn’t nearly as costly as
buying a long telephoto lens for a camera.
Vic is the primary birder in our family, but I’m the chief
photographer. We combine our interests to collect bird pictures that
Vic uses for his birding classes. Vic bought me a Minolta Dimage 7
digital camera a couple of years ago. With its telephoto optical
zoom, it gets great pictures of birds that are within 20 feet. But
most birds won’t let us get that close, so we’ve been frustrated in
our attempts to get good pictures of many species.
We tried using my Minolta with Vic’s birding scope, but the
Minolta isn’t the camera of choice for digiscoping. We learned from
friends who are masters of the technique that a Nikon Coolpix 4500 is
the best camera for this purpose, so I got one for Vic last year. But
without a proper adaptor to secure the camera to his old bird scope,
we didn’t have much luck.
Santa brought Vic a Swarovski HD80 bird spotting scope this year
with an adaptor for the Nikon camera. If we couldn’t get good bird
pictures with this setup, there was no hope for us.
We dashed over to Huntington Central Park to try out the system.
We were thrilled with the results. We got portraits of pigeons and
ducks that were so sharp we could see individual barbs on the
feathers.
Lucky us, Santa had included airplane tickets to Texas for a week
of birding. Like Southern California and Florida, that area is a hot
spot for birders because it has so many species of birds not seen
elsewhere in the U.S.
First we had to pass through airport security. With two cameras, a
laptop computer and the birding scope in our carry-on baggage, we
were given extra scrutiny. Off with our shoes, jewelry, watches and
jackets. We took everything out of the carry-on luggage and showed
the security people that we had no hand grenades, assault rifles,
nail clippers or other hazardous devices hidden on our persons or in
our luggage.
Having cleared security, we waited in the Room of Noisy Children
with Severe Behavioral Disorders before being tight-packed in the
flying sardine can that passed for our airliner. We had picked the
height of last week’s storms to fly, so the flight was delayed on
takeoff. Naturally, we missed our connecting flight in Houston. After
much confusion, many long lines and an interminable wait, we managed
to snag seats on the last flight out that night to San Antonio, our
final destination.
We figured that our next adventure would be a visit to the Land of
Lost Luggage, but our suitcases had made it onto our original
connecting flight and were waiting for us. Successfully reunited with
our clothes, we were ready for a week of bird photography. We hopped
into our rental car, a hop that actually took more than an hour, and
drove to the Bass Inn at Choke Canyon State Park, arriving well after
midnight.
The motel manager said he’d leave an envelope with a key taped to
the door, but he didn’t. Since the office had closed at 10 p.m., we
were left in the cold. Vic looked in a box marked “Key Drop” and
found a key to the office. He let himself in, selected a room key at
random and checked us into one of the worst motel rooms we’ve ever
seen. From curtains half off the rods to threadbare and stained
chairs and bedding, to the smell of wet dog that permeated the room,
the place was consistently seedy. But we were there for only one
night, and we’d already paid for the room, so we stayed. Besides, we
were in Texas range country with no alternatives. Other
accommodations on the trip were far superior.
Over the next few days, we drove to Rockport, Brownsville and
McAllen, staying a night or two at each place. On our first day of
digiscoping, we got what appeared to be spectacular photos of a
caracara, a vulture-like falcon. But when we examined the pictures on
the laptop that evening, we saw that they were all out of focus. We
fiddled with settings on the camera and took pictures of other
species the next day. They were in focus but lacked the composition
that makes a good photograph. That brought us to the afternoon of New
Year’s Eve and the Brownsville town dump. We had hoped to get photos
there of a Tamaulipas crow, but the rare bird wasn’t there that day.
We didn’t find anything to photograph at the McAllen sewer ponds on
New Year’s Day either.
Digiscoping is a technique that we have definitely not mastered.
By the time this column is in print, we’ll be back home, but as of
press time, we’re still searching for the perfect bird photo. We can
hardly wait to get back to Bolsa Chica to continue practicing
digiscoping.
* VIC LEIPZIG and LOU MURRAY are Huntington Beach residents and
environmentalists. They can be reached at [email protected].
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