Theater celebration attracts the faithful
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B.W. COOK
The buzz in the ballroom was all over “Brooklyn Boy.” This new play,
written by Donald Margulies, commissioned by South Coast Repertory
Theater, had its world premiere debut on the theater’s Segerstrom
Stage Sept. 3. The performance runs through Oct. 10 at the Costa Mesa
theater that gave it legs.
The buzzing black-tie crowd had come together last Saturday
evening at the Hyatt Regency Huntington Beach Resort and Spa to
celebrate South Coast Repertory Theater at its annual gala ball.
Attended by notable Newport-Mesa citizens, more than $400,000 was
raised from the occasion, named by organizers as “Playing to a Muse
... Celebrating the Playwright.”
South Coast Repertory Theater founding artistic directors David
Emmes and Martin Benson, addressing the crowd, said: “SCR is a
company all about the play, a company based on the written word.”
Fittingly, playwright Margulies was introduced and stood at his
table in the center of the cavernous Hyatt ballroom, using a wireless
microphone to share his appreciation with the people who have
provided the green enabling him to put the black on the white.
It was a warm and intimate moment with an acclaimed writer in the
middle of a massive party. Event chairs take note: This device is an
interesting maneuver to bring a message closer to a large audience.
Everyone does not have to speak from a central dais.
Carrying the writer’s theme to the limit, event planner Michael
Mora, a former South Coast Repertory production manager turned
designer, transformed the room into a writer’s round table. Table
centerpieces were mini-sets. So much more than arrangements, Mora
invoked the writer’s passion and angst using antique typewriters,
stacks of manuscripts and even horn-rimmed glasses to create a mood.
That mood was carried further by young ladies positioned around the
ballroom, serving as resident muses Thalia, Calliope, Euterpe,
Therpichore, Clio and the rest. Under red Oriental lanterns, hung
free form from ballroom rafters, the muses played.
The enchantment, however, was in the crowd of elegant guests who
had come to support event chairperson Aletha Anderson, who did a
masterful job producing a party that flowed with perfection from
cocktails to midnight farewell kisses on the dance floor.
Said Anderson: “From its launching of plays worthy of the Pulitzer
Prize, to its nurturing of writers, directors, designers, instructors
and actors who went on to influential positions around the country,
South Coast Repertory Theater has made a contribution to the American
theater that few institutions can match.”
Anderson accepted accolades alongside her husband N. Christian
Anderson III, president of the theater’s board of trustees and host
of the gala.
As a dinner prepared by Chef Chris Savage was served by the Hyatt
Regency staff, the crowd table-hopped the ballroom, visiting friends.
A four-course dinner began with Asian-style duck broth, a salad of
mixed exotic greens dressed in balsamic vinaigrette, followed by an
entree of grilled filet mignon accompanied by Thai spiced shrimp. For
dessert, “Le Opera” was served, a delicacy of layered chocolate
Genoise. Celebrating the theater and an evening by the ocean were
Jean and Tim Weiss, Daranne and Paul Folino, Wylie and Bette Aitken,
Elaine and Martin Weinberg, Dee and Larry Higby, S.I. and Betty Eu
Huang, Sue and Ralph Stern, Socorro and Ernesto Vasquez and Henry and
Elizabeth Segerstrom. Also in the crowd were Gail and Ernie Doe,
Patricia and Chester Houston, Pat and Gene Hancock and newlyweds Mary
Munday and Richard Pedranti.
The highlight of the evening was the special-guest performance by
Broadway performer Susan Egan. The Orange County native, who recently
returned from a New York engagement in the Tony Award-winning
“Thoroughly Modern Millie,” took the party to an elevated state as
she sang “Putting It Together” from Stephen Sondheim’s Follies. Egan,
who is also closely associated with the Orange County High School of
the Performing Arts, enchanted the theater audience with further
renditions of original Broadway material. She was accompanied by
Stephen Cook on piano.
Many dedicated volunteers contributed to the success of a major
fundraising evening. Some of the gala committee members working with
Aletha Anderson deserving kudos are Donna Phelps, Kathryn Glassmyer,
Donna Collett, Mary Carrington, Teri Kennady, Rebecca McLarand,
Caroline Kelley, Nancy Kelley, Sadie Finnegan and Julie Schulz.
* THE CROWD appears Thursdays and Saturdays.
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