There’s so much that’s no longer there
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ROBERT GARDNER
I notice that Mary Burton’s house has disappeared. It stood on Ocean
Boulevard for almost as long as there’s been a Corona del Mar. It’s
always a shame when an old landmark like that is destroyed, although
I realize that a house of that age might not provide the amenities
that people have come to expect in a modern home.
Over the years, we have lost a number of buildings that were part
of our history, most of them in Balboa, where so much of the early
history took place. One of the most noteworthy was the Rendezvous
Ballroom, where all the famous bands of the Swing Era played and
which was the birthplace of a famous dance known as the Balboa hop.
The Rendezvous burned down twice. After the 1935 fire, it was
rebuilt. It burned down again in 1966, and while it had had a brief
renaissance with people such as Dick Dale, it was determined that its
time had passed, and the property was turned into condos. A plaque at
the corner of Washington Street and Ocean Front honors what was once
Southern California’s premier dance hall.
I remember very well the original fire station on Balboa, which
was for years the only governmental building in Balboa. While
primarily for fire protection, it did double duty on Saturday nights
as an impromptu holding cell for the numerous people arrested for
over-indulging in alcohol during the rowdy days of Prohibition.
Today, the site of that original fire station is a parking lot
adjacent to a public restroom that was known at the time as a comfort
station.
Then there was Soto’s Japanese Curio Shop, which stood at the
corner of Bay Avenue and Main Street. Soto’s was headquarters for
several generations of Balboa youngsters who pawed his fragile
merchandise without hindrance from Soto.
Soto was probably the most loved man in Balboa, but he fell victim
to World War II hysteria and, with thousands of other loyal Americans
of Japanese descent, was sent to one of the worst internment camps,
Poston, on the Colorado River in Arizona. Soto never made it back to
his beloved shop.
The Balboa Hotel was on the site of the Balboa post office. The
two-story, single-wall structure was built in 10 days in 1905 to be
ready for the advent of the Big Red Cars of the Pacific Electric
Railway when they came to Balboa. With that kind of construction,
it’s little wonder it was eventually destroyed to make room for the
post office.
Fortunately, some of our history is still here.
The Balboa Pavilion, built in 1905, must have looked like a
skyscraper on the then-barren sandpit. It started as a dance hall,
with Balboa’s first post office on the ground floor. Today, with its
distinctive Victorian silhouette and blue-topped cupola, it is the
most prominent historical landmark in the city.
Just around the corner is another landmark building, the Balboa
Inn, built in 1929. In its day, it was the No. 1 hotel on the Orange
County coast, although the original owners went bankrupt during the
Great Depression. Before the Balboa Inn was built, a lattice
structure sold cold watermelon by the slice on that corner.
The portion of the Balboa Inn next to the alley was the site of
the Balboa Theater, a single-wall, wood structure built in 1913 by J.
P. Greely, the man who built the Balboa Pavilion. For years, it was
operated as a picture show by a colorful, hard-drinking,
hard-swearing character known as Madame LaRue. Its reincarnation
hosted many of the early surf films and even spent a little time
showing blue movies under the Pink Pussycat banner before eventually
closing its doors.
There has been an effort in the past few years to restore the
theater. I hope it succeeds. I don’t want to be the only historical
relic left standing.
* ROBERT GARDNER is a Corona del Mar resident and a former judge.
His column runs Tuesdays.
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