Providing an outlet
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Lolita Harper
Amid the boxy, drab industrial buildings on Logan Avenue, a burst of
creative color shines through. Brilliant hues -- brought to life by
the creative brush strokes of artist Lisa Eddy -- make their lively
debut on the walls of Art Martyr Gallery, housed in a monotonous
rectangular building in Costa Mesa.
The self-proclaimed “nontraditional, alternative venue” gallery
shares a renovated industrial space with the Corner design firm. Amid
the working space of graphic designers Tony Colombini and Anne Westin
hang rotating exhibits from local artists. Eddy’s works decorate the
walls through Sept. 30.
“This space brought together many loves,” Colombini said. “If the
art fits with our vision, we make it happen and create value and have
fun.”
Fun is the word that best describes the small suite. The ceiling
is painted blue with the supporting walls in white and black. On the
white walls are Eddy’s creations. On the black -- and everywhere else
-- more fun.
Just under a drafting table, near the garage entrance to the space
sat 11 scuffed bowling pins. At 4 p.m. weekdays, the Kona Lanes
remnants -- Colombini bought them just before the demolition --
relive their purpose during “totally ghetto alley bowling,” Colombini
said.
Just before quitting time, Colombini and Westin release some
stress by hurling a bowling ball along the asphalt of the industrial
park to shatter a makeshift pyramid of pins. It gives a whole new
meaning to the term “gutter ball.”
There are displays of model cars, art on skateboards, hand-painted
furniture, coffee tables on shopping cart wheels and a mini-bar with
old matchbooks fixed into the countertop. High above the computer
workstations are more original pieces of art. A rendition of the
traditional Tide detergent box brightens the south wall and a series
of three desert highway landscapes adorn the northern wall.
“Those are mine,” Colombini said quietly.
But the focus for this exhibition is on Eddy, he quickly reminds.
Huntington Beach resident Eddy depicts dreamy imagery and reality
through mixed media in the exhibit “Framing the Unconscious: A
Portraiture of Dreams.” The reveries take form on canvas, furniture
and small-scale hand-painted prints, using oil paints and mosaic
tiles.
Westin, the gallery coordinator, said she was enthusiastic about
getting the community-grown gallery up and running. Eddy is the
second artist to showcase at the Art Martyr Gallery, which is barely
2 months old, Westin said.
“I always wanted to be a part of a gallery where I could work with
emerging artist and help them get a foot in the door,” Westin said.
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