‘The Foreigner’ speaks a language of laughs
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Ray Buffer
Originally slated for this time frame in the Huntington Beach
Playhouse’s schedule was Garson Kanin’s “Born Yesterday.” However,
due to booking conflicts, it had to be replaced with a far superior
comedy/farce, “The Foreigner,” by Larry Shue.
“The Foreigner,” performed in the Huntington Beach Library Theater
through Nov. 17, is directed by Orange County theater critic and
managing director of the Irvine Community Theater, Tom Titus.
The play is about Charlie Baker (Gary Page), an Englishman who is
brought by a Cockney (and sometimes Australian) friend, Sgt. Froggy
LeSueur (Dave Cunningham) to a rural Georgia fishing lodge. The
southern bed and breakfast is run by Betty Meeks (Kip Hogan), whose
property may be condemned.
Charlie hopes to rest here undisturbed and get away from his
cheating wife, who is also deathly ill. Because he is socially phobic
and a bore, Charlie pretends he’s a foreigner who can’t speak or
understand English to avoid having to deal with everyone. Ultimately,
he makes up his own dialect.
The locals assume Charlie does not understand them and speak
candidly about private matters and secret plots in front of him.
Charlie becomes privy to a scheme by the Rev. David Marshall Lee
(Josha Crowley) and KKK clansman Owen Musser (Jozeph Wise) that puts
him, his hostess, and fellow guests Catherine Simms (Christy Joy
Smith) and her brother Ellard (Joshua Collins) in danger.
Overall, the cast is wonderful, despite some occasional dips in
energy. The play starts slow, and when the pacing begins to climb, it
inevitably stalls with the entrance of each new character. This is
remedied by the middle of the first act.
On the technical side, the show, managed by Kelly Tickner, is
fluid but for one instance mid-scene in which the electricity in the
lodge goes out, yet there is no lighting change to illustrate the
difference on stage until the opening of the next scene.
The set is not overdone, but functional. Titus directs some
wonderful action sequences toward the end of the play that, although
difficult to time, come across effortlessly.
Page is convincing and immeasurably entertaining as the brooding
insecure hero, but I would have liked to see him react more to what
he was overhearing; using the fourth wall (the audience) to display
his thoughts.
Hogan is a sheer delight with her down home portrayal and
exuberant delivery. Cunningham blasts through his role with panache.
Crowley is well suited for the handsome, yet smarmy charmer role.
Smith’s manic moments are inspired, and Wise’s characterization,
although stereotypical, comes across threatening and comical in all
the right places.
The standout performance, in my opinion, is that of 20-year-old
Joshua Collins as the slow-thinking Simms sibling. Collins creates a
memorable character, complete with a consistent physical behavior,
and infuses it with humor and heart beyond what the author
envisioned.
Playwright Larry Shue, who was killed in a 1985 plane crash, won
two Obie awards and two Outer Critics Circle awards, for “The
Foreigner.”
Titus and producer Bill Verhaegen should be proud of their
entertaining production, and you should be on the phone now trying to
get tickets. Prices are $13 to $15 -- a bargain for live theater of
this caliber. Call (714) 375-0696.
* RAY BUFFER, 33, is a professional singer, actor and voice-over
artist.
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