UNCLE DON’S VIEWS OF NIL REPUTE
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Scintillating. It means lively, stimulating or witty.
Such an appropriate adjective when applied to the appropriate subject.
“Thirteen Ghosts” is not an appropriate subject.
There’s thunder and lightning, a gargoyle howls and the music
crescendos as mysterious vehicles are driven into a darkened junkyard.
The leader of this group emerges from his antique automobile barking
orders and glaring a lot at his armored troops and his resident psychic.
What are these goofballs doing? They’re ghost busters. Using weapons
of unknown design and logic of indeterminate origin, they’re out to
capture the spirits of those who have died in awful ways, such as by
fire, decapitation, bow and arrow, and by voting Democrat.
And why are they capturing these spirits? For one thing, to drag out
the movie. Upon the capture of the appropriate number of spirits (I
believe it’s 13), their leader will open some keyhole to yet another
secret power of the universe so he can become the most powerful man in
the world.
Well, fearless leader kind of screws up and becomes dead, face up.
Upon his expiration, he leaves his house of mystery to his middle-aged
cousin or nephew. It’s your typical funny uncle’s house. Dark, gloomy,
isolated and abandoned. More cluttered than a teenager’s room, with
enough knickknacks to make a grandmother happy, what we have is another
week, another movie, another glass house and another bad case of the
stoopids.
The stoopids being the father, son, daughter and some loudmouthed
screaming housekeeper upon whom one wishes lockjaw, or a falling safe or
piano.
Just guess what’s down in the basement. Well you don’t need to guess,
‘cause I’m gonna tell you. It’s the aforementioned spirits who died in
the various and sundry ways. They’re bad tempered, evil looking and
afflicted with coatings of makeup that armor-piercing shells couldn’t
penetrate. These spirits are trapped in containment rooms, and if they
escape all hell breaks loose.
Tell me if you’ve heard this one before. Bad spirits abound. They’re
caught. They’re placed in holding tanks. Some idiot releases them.
They’re gonna take over the world. Yeah, sounds original to me.
“Thirteen Ghosts” is haunted by the presence of a bunch of no-name
actors with a single well-known actor (Can’t remember his name) inserting
his pockmarked, glowering mug into as many scenes as possible. Oh yeah,
it’s F. Murray Abraham. Didn’t he use to be a star? Well, Abraham’s Cyrus
needs a baker’s dozen of these here ghosts to become the most powerful
man in the world. Of course, he’s dead, but he ain’t half as dead as this
movie.
Guess what? Bad stuff starts to happen. So what do our resident
goofballs do? Of course, head to the basement where hushed voices and
mysterious sounds abound as they wander with these comments evacuating
from their mouths: “What difference does it make?” “You didn’t tell him,
did you?” “This house is not a house.” And of course, “I had my reasons.”
Cyrus has designed this house based on some mysterious book that was
written umpteen centuries ago. The book details a blueprint that will
allow one to build a structure that will open the “eye of hell.” Now
there’s a high IQ idea. Through the miracle of cheap special effects, we
are dragged along through this house, over hill, over dale, over stuff
you swore you’d seen in the previous scene.
But, to complete his project, Cyrus needs the special spirit. (Not
Jack Daniels). The spirit that is the most powerful energy of all. It’s
love. Ain’t that cute. Ain’t that boring. Ain’t that an indication that
this barker is almost over.
Meanwhile our not very friendly neighborhood ghosts keep popping up
like the ones at the end of the Haunted Mansion ride at Disneyland.
Observable only by wearing these “spectral viewers,” these guys have got
some serious attitude problems, while the viewers will have serious
narcolepsy problems in trying to schlep it out through 90 minutes of
contrived tedium.
Betcha can’t guess what happens at the end. Betcha you don’t care.
Betcha I’m gonna tell you. The bad guy dies (again), the good guys escape
(too bad), and the remaining ghosts fade away, (like the financial future
of this flick). Unfortunately, this column remains.
“Thirteen Ghosts” is rated R for horror violence/gore, nudity and some
language.
* UNCLE DON reviews b-movies and cheesy musical acts for the Daily
Pilot. He may be reached by e-mail at [email protected]
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