A different kind of opera
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Young Chang
Mikel Rouse’s artistic response to Truman Capote’s “In Cold Blood” can
safely be called unique.
Whether you love it, hate it, understand it or don’t, you’ll walk away
with an emotional charge, the composer said. And that’s OK. He is the
first to say his work is not entertaining.
Called “Failing Kansas,” Rouse’s 80-minute multimedia opera will make
its West Coast premiere this weekend at the Orange County Performing Arts
Center as part of the Eclectic Orange Festival.
There is music. There is song. There are spoken words and segments of
film cut to fit the text. Like an opera, the piece works with a story
line, music and a universal theme.
Unlike an opera, there are no sopranos, no tenors, no altos and no
orchestra.
It’s one man interacting live, his voice multitracked on tape against
a video backdrop, coinciding with segments of music. Rouse uses a new
technique he calls “counterpoetry,” where multiple voices speak in strict
metric counterpoint.
Viewers might wonder whether the piece is, in fact, an opera, which is
what Rouse calls it. They might not. They might think it’s classical, or
they might think it’s rap. Reactions are up in the air, for now, but last
year’s crowd for Rouse’s West Coast premiere of the opera “Dennis
Cleveland” proved one thing:
“People didn’t know what to expect,” said Craddock Stropes, director
of public relations for the Philharmonic Society of Orange County, which
runs the festival. “It’s definitely a departure from what people expect
when they hear it’s an opera.”
This is one reason Rouse’s work is part of the Eclectic Orange
Festival, Stropes added. With the “Magic Flute,” Mozart’s musical
fairy-tale opera, showing through this weekend, “Failing Kansas” is an
interesting contrast.
“He’s trying to challenge what we think of as opera,” Stropes said.
“Convincing people to try looking at the arts in ways they haven’t
before.”
To Rouse, his piece is a new art form, much like Capote’s attempt to
create the nonfiction novel. With “In Cold Blood,” which explored the
1959 murder of the Clutter family of Holcolm, Kan., Capote reacted to the
killings. Rouse reacts with “Failing Kansas.”
“I was just very knocked out by the book,” said the Missouri native.
“Richard Brooks had already made a great film. I didn’t want to try to
retell the story or anything, but I wanted to try to evoke the power, the
spirituality.”
“Failing Kansas’ is the first in his multimedia trilogy. The second is
“Dennis Cleveland,” an opera with singers in the audience that uses a
live tape talk-show format. The third is “The End of Cinematics.”
In front of a mike, in a black suit with a black shirt with nothing in
his possession but a water bottle at his feet, Rouse ran through the nine
movements of “Failing Kansas” during rehearsal this week.
Video images designed by New York film artist Cliff Baldwin flashed
behind his still figure, accompanying his words. Scenes included the
beams and supports of a bridge, the rear view mirror in a car, a carwash
with a sign that announced “Only $6.95,” and people talking.
Most of the text was sung, some was said. It was compiled from
transcripts from the murder trial, Pentecostal hymns popular in the
Midwest, diary entries and songs written by Perry Smith, one of the
murderers who was also a musician.
The stage had four mikes, arranged symmetrically, and Rouse moved from
one to the next during different movements.
“It shows a different sense of my relation to the scene,” he said.
“And different characters are speaking from the mikes.”
“Failing Kansas” has already been seen on the East Coast. Reviews were
positive, especially in the Midwest, which is odd, Rouse said.
“It’s so much about the middle of America,” he said. “And I think
people respond to the emotional aspect of it, even if the technical end
of it can be overwhelming.”
FYI
* WHAT: Failing Kansas
* WHEN: 8 p.m. today and Saturday
* WHERE: Founders Hall, Orange County Performing Arts Center, 600 Town
Center Drive, Costa Mesa
* COST: $18
* CALL: (949) 553-2422
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