MAILBAG - May 2, 2000
I would like to add my words of support to Charles Rutherford and the
jazz program he has created at Orange Coast College (“So where is all
that jazz?” March 18).
As a past student of these classes, which have included the Monday,
Tuesday, Friday and Saturday Big Bands as well as the Tuesday and
Thursday improvisation classes, I feel qualified to give an informed
opinion from my direct observation and involvement and personal benefit.
Additionally, I have performed in countless performances with
Rutherford’s big bands and improvisation groups both on and off campus
over the years. I also played trumpet on the first compact disc produced
by Rutherford involving the students of the Saturday band.
I can state without hesitation or reservation that Rutherford is a
world-class educator in the finest tradition of the only art form fully
originating in the United States. As a jazz educator, he has brought a
unique and thoroughly professional approach to every aspect of his
position. One could search long and hard to find anyone of his caliber in
the field, not to mention that he has dedicated his life for more than 30
years to this endeavor. He almost single-handedly has raised the
standards of jazz instruction and directly influenced scores of musicians
who are now at the zenith of their respective fields of musical activity.
Orange Coast College should be very proud indeed of his accomplishments
and contributions for this school.
Now, you can imagine my extreme disappointment that many, if not all
of his programs are being canceled. Notwithstanding any other
contributive elements that may be effecting this decision, I urge the
“powers that be” to step back and take a 30,000-foot view of what is
going on here.
If the charter of OCC or the community college program in general is
designed to offer individuals in the community a way to learn or enhance
musical skills that can be put to use either professionally or for
personal enjoyment, then the jazz program is one of the most effective I
know of. Further, if that is in fact the purpose of the school, then I’m
at a loss to understand the value of cutting back or eliminating this
valuable asset to the school and community. I don’t pretend to have all
the relevant information and indeed would welcome some enlightenment on
this matter. But from my point of view, something just doesn’t make
sense.
Thank you for taking the time to allow me to air my point of view and
for your efforts in supporting the general goals and purposes of OCC.
Overall I applaud your work. Your attention to this matter would be very
greatly appreciated.
DANIEL W. JACOBS, PhD TOLUCA LAKE
American family already destroyed
What is the “traditional American family” you allege Piecemakers have
shed? (“No decision in Piecemakers case,” April 27). Is it one whose mom
and pop have never divorced; five cloned kids who are all submitted; one
where all members go to church on Sunday; one whose dad brings home a
middle-class income? If that is your idea of a traditional family,
America has shed that image decades ago.
When all scapegoats are gone, [Tom Halliburton] (like the rest of us)
will have to take a good look at himself. The Halliburton family was
destroyed long before Piecemakers existed.
KATIE NEEDHAM
Costa Mesa
Local poets have a lot to offer
Thanks for your coverage on the poetry event at the Newport Beach
Public Library (“Writers share their ryme and reason,” April 25). Any
notice of poetry in Newport-Mesa is appreciated.
However, although I participated in the reading for two years running,
I chose not to this year for the following reason: the focus of the event
is not to celebrate our own local poetry talent but merely asks our local
writers to present the work of other, more “established” poets. That
makes us simply “talking heads” on others’ works.
Meanwhile, there is enormous poetic talent throught Orange County. Why
not let the locals present their own writings?
In short, the focus for this event is all wrong.
LEE MALLORY
Performace poet and English professor
Newport Bbeach
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