So where is all that jazz?
Alex Coolman
COSTA MESA -- A jazz concert scheduled to take place Sunday at Orange
Coast College has been canceled, and the behind-the-scenes wrangling that
accompanied the decision to cancel it has divided the college’s music
department.
The man who called off the concert, OCC adjunct music professor Charles
Rutherford, says he took the action because budget cutbacks have
strangled his ability to bring performers to the school.
On the other side of the debate are music department co-chairs John
McEnary and Dana Wheaton. Wheaton referred calls about the jazz program
to OCC’s dean of fine arts, Sylvia Impert, who declined to comment on the
situation.
At issue is a roughly 30% cut that was made to the jazz program’s
operating budget in a meeting last August.
Rutherford, who has directed the school’s jazz program for more than
three decades, contends the cuts are crippling to the program and were
made to take advantage of the fact that he had just changed to adjunct
status and lost his authority to vote on the budget.
“It’s certainly a black eye for us,” said Rutherford, sitting in his
office at the college. On a cork-lined wall of the room were dozens of
photos of musicians he’s brought in for concerts over the years --
legendary players like Dizzy Gillespie, Sonny Rollins, Chick Corea and
Freddie Hubbard.
The days when he had the resources to bring in such great names are over,
he says.
“What’s happening to the jazz department? We’re slowly going downhill,”
he said.
OCC President Margaret Gratton disputed the notion that Rutherford had
been forced into canceling the show.
“The jazz program was adequately funded for this year,” Gratton said.
“Charles Rutherford canceled the concert on his own volition without
consultation with the college. He had sufficient money in the budget to
conduct his concert. In fact, he has a fairly healthy balance.”
Gratton said she expected that the two sides would settle things within
the department.
“They have traditionally met among themselves and worked these matters
out in a system that is agreeable and equitable,” she said. “I am
confident that they can continue doing that in the future.”
About $2,500 was lopped off the budget for the jazz program at the August
meeting. A few weeks later, the Friday Big Band, a performance group for
jazz students, was canceled.
The combination of these events, Rutherford said, convinced him that he
would be unable to put on the “Jazz Extravaganza Concerts” he had
scheduled for Sunday and for last Halloween.
Rutherford issued a statement canceling both shows last October.
But the message seems not to have reached many ears around campus. OCC’s
community relations office was still publicizing Sunday’s jazz show at
the beginning of March, and notices in the Coast Report, the school
newspaper, still spoke about it as if it were a live entity as late as
last week.
Now Rutherford is making sure people know the concert is dead. And he’s
drumming up support from some of the musicians he’s worked with over the
years to suggest that the jazz program is under siege.
“I don’t know why they’re doing this,” said Harold Cannon, an OCC-trained
jazz trombonist who wrote a letter to the media protesting the budget
cuts. “He’s had such apparent success with the program. It’s probably one
of the few programs in Southern California where you can go and get an
education in jazz.”
Gratton, though she disagrees with the idea that jazz is endangered at
the school, said the departmental flap is unfortunate.
“Doc Rutherford built the jazz program at OCC,” she said. “He was
involved in it over 30 years, and he built an exemplary program. It is
unfortunate that we have arrived at this situation.”
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